Yakuza Apocalypse

Yakuza Apocalypse

YakuzaApoc

Samuel Goldwyn | R | Takashi Miike
Pictured:
ENTER THE FROG MAN

6(Note: The following review was originally published at Consequence of Sound.)

There is an extremity to death and violence in a Takashi Miike movie that few other filmmakers ever try to muster. His propensity for grotesquely exaggerated sound effects and hard-hitting fits of carnage make filmic violence visceral again, in a way so few movies manage in an era where, around the globe, large-scale destruction has supplanted old-fashioned fist-to-face brutality as the dominant cinematic language of destruction. But Miike doesn’t stop at the big setpieces. Every punch is bone-shattering, every kick a loud concussion that leaves you wincing. And no matter how outlandish his films get, even in the case of a thoroughly outlandish film like Yakuza Apocalypse, the violence hurts. (more…)